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Review And Synopsis Movie Missing You A.K.A Neol gi-da-ri-myeo (2016) Trailer Plot Story And Summary Complete Review And Synopsis Movie Missing You A.K.A Neol gi-da-ri-myeo (2016) Trailer Plot Story And Summary Complete
Those Korean cinema fans reading the higher than outline, or so look one amongst the trailers for ‘Missing You’, can doubtless feel they’re experiencing déjà vu to a degree and can in all probability have a veritable profusion of Korean films particularization feminine revenge within the wake of male violence and/or life destroying tragedy browsing their minds.
Revenge has long been a serious staple of Korean film narratives, having not solely been perceptibly current for nearly as long as references to violence itself however conjointly through the years having served as each its cause and impact. among the inordinateness of male-centric 'mano a mano' tales of violent retribution - from 'Oldboy' to 'The Chaser' to 'I Saw the Devil', and nearly all points in between - particularization revenge as a payment in a similar way, of sorts, for male brutality, abuse, torture and/or murder of (as typically as not, helpless and for the most part innocent female) characters, there have conjointly in fact been regular examples too of girls exacting female retaliation against specific males, in context, and by extrapolation against the male species as an entire.
However, tho' the perennial look of those stories of feminine retribution over the years while not question speaks of the gradual shift in situ of girls in Korean society and also the slow, typically troublesome move towards balance of the sexes as against ancient social system (and by identical token every slightly totally different case serving to underline the gradual modification in depictions of feminine characters in Korean cinema narratives, within the process), it will hardly be denied that contrary to the bulk of stories of male-oriented retribution feminine characters taking revenge for the most part undertake their vicious quests solely when having lost semblance of explanation (again as typically as not as a results of male actions) permitting them to ignore any question of ethical right to think about no matter action they feel is guaranteed to actual justice for the incorrect they and/or their pet ones suffered.
Of course, this is not continually the case (take 'Sympathy for girl Vengeance' as a different example of a girl WHO clicks instantly back to normality once her retaliation is with success concluded) however thrillers like 'The Housemaid' (1960); 'Diary of June'; 'Princess Aurora'; 'Bedevilled'; 'Azooma' (and the list goes on) or maybe the endless horror stories of vindictive feminine ghosts (too several to mention) stand as tips to the myriad of medium instances during which terrible events feminine characters square measure subjected to cause associate inexplicit however clear mental trauma leading on to their utter rabid obsession with bloody retribution at any and every one price.
‘Missing You’ begins at the conclusion of Ki-bum’s trial, his sentencing watched by his victims’ families, Dae-young and Hee-joo as a young kid. Melancholy music replaces all alternative sounds straight off when the sentence is bimanual down as visuals show the court audience erupting in wailing, screaming disbelief at the brevity of the explicit jail term, the camera then moving to specialise in Hee-joo (and her patent pink shoes) as she ever slowly takes a step backwards, then another and another. To my mind, this points the maximum amount to Hee-joo retreating into herself because it will to her physically desperate to step away, particularly once combined with the very fact that in each scene during which we have a tendency to see her as a toddler when her father’s death she stares without expression ahead expression not a word.
By the time we have a tendency to meet Hee-joo as associate adult operating as a police scout/mascot, she has cultivated 2 personas - showing as a sweet, sunny and happy young lady to those she cares regarding whereas to those she feels do wrong she may be a constant malevolent presence.
However, tho' Hee-joo clearly is broken (Post-It notes with Friedrich Wilhelm Nietzsche quotes cowl her entire living accommodations walls and news clippings with reference to the murders square measure pasted onto the ground like tiling) and whereas she totally admits that Ki-bum created her the means she now could be, she all the same retains an ethical compass firmly basic cognitive process that a number of her vindictive actions and plans should ultimately be chastised even as sure as she intends to penalise Ki-bum, likewise as volitionally resigning herself to the necessity to become a monster to catch a monster.
Of course, these concepts too have appeared in varied Korean films – not least a number of those mentioned higher than – however director Mo Hong-jin will create efforts to do to make sure ‘Missing You’ is over merely a one-trick revenge ‘pony’, if you may, tho' those terribly efforts conjointly raise the question of originality on over one occasion.
‘Missing You’ focuses on 3 main genre ideas: Hee-joo’s revenge story; Ki-bum’s serial murderer tale; and Dae-young’s procedural police drama. Of these, the procedural investigation is far and away the weakest just because the police square measure systematically depicted as inept to nearly the purpose of utter stupidity, and annoyingly thus. I hardly have to be compelled to say that but bright police (again) have featured in varied Korean films over the years however classic examples that really worked did thus as a result of police unskillfulness had a legitimate reason and context connected to that. Here the overwhelming majority of cops square measure simply plain dumb to the extent that I truly began to question however they’d ever caught Ki-bum within the 1st place.
Mo Hong-jin will even have a bent, particularly within the early stages of the film, to push the comedy slightly additional than necessary. Suddenly, mournful music can begin, the camera can specialise in young Hee-joo and that we square measure expected to ad lib act. Don’t get Pine Tree State wrong, the scenes in question square measure fairly moving on their own however it’s blatantly obvious that they're returning and per se their effectiveness is undermined instead of being accentuated. On the and aspect, the horror scenes themselves square measure systematically well represented, brutal however ne'er immoderate, and a lot of typically than not they whole reach being twisted enough to be unforgettable. However, the $64000 strength of ‘Missing You’ lies within the progression of Hee-joo’s story and so its final conclusion. Sure, you’ll doubtless have seen an analogous end result of a personality arc before, however actually as way as I’m involved it still seems as a surprise.
While it might be aforementioned that 'Missing You' speaks, to a degree, of a justice system handing out too lean sentences to criminals and of the fallout that trend causes to victims, no real statement is formed on the problem. As such, 'Missing You' stands as merely a revenge adventure story set over associate extended fundamental measure to this day - no a lot of, no less - instead of being a specific or perceptive critique of aspects of Korean society. That said, as a revenge story 'Missing You' serves its purpose tolerably.
As a final note, ‘Missing You’ is only nation language title chosen for the film, the initial Korean title translating as ‘Waiting for You’. In spite of Hee-joo being shown on a few of occasions fondly cleansing her father’s police commendation award hanging on the wall (and clearly missing him deeply, within the process), considering the general narrative the Korean title to Pine Tree State fits way, far better.
Missing You is the second movie Mo Hong Jin after the film Our Town (2007) still carrying the same i.e. genre Thriller to date is still a genre favorites for South Korea movies, for both Mo Hong Jin Shim Eun Kyung actress working as a main character, hear the name Shim Eun Kyung of course comes dibenak us film Hansel and Gratel Sunny, and the most famous in 2014 of course Miss Granny who deliver Shim Eun Kyung became the winner of the Best Actress Award event in several movies over and over, Miss Granny is arguably the most successful film ever starring Shim Eun Kyung and handed the movie itself made a remake in a variety of versions in some other countries such as China, Japan, Viet Nam, Thailand until now santer discussed Indonesia.
Missing You told of a 7-year-old girl who had to witness his father died as one of the victims of serial killings by cold-blooded psychopath, as children who only have ayahnyalah his father and the only people who care for and love her of course became a great punch create the psychic children, 15 years passed until the killer out of prison the girls her age are now moving on to adult , he lives a kara, survive and grow as a reticent girl, a lot of the things that has him think and plan to take revenge for the death of his father.
The new novel of Shim Eun Kyung and initially I do not imagine she must be acting as a girl psychopath because as long as these characters in his films mostly as a good girl who is pretty and cheerful, I guess pretty successfully despite previous characters still reflected and unforgettable, it appears her business how she must change his character, the film itself tends to be dark and depressive, we'll be treated to some of the scenes of brutal and bersimbahan blood everywhere , tensinya pretty awake unfortunately when seen thorough plot less tidy, found some plot hole though not fatal but too pretty annoying, in a way the story quite like and moral message in ending is also good.
Overall entertaining thriller scenes, its pretty horrified and dull pain, acting Shim Eun Kyung, Yoon Je Moon and Kim Sung Oh as maincast like, minus the plot which is less tidy.
Movie Information :
Genre : Drama, Thriller
Actor : Seong-oh Kim, Eun-kyung Shim, Je-mun Yun
Initial release : March 10, 2016
Director : Mo Hong-jin
Box office : 3.9 million USD
Screenplay : Mo Hong-jin
Nominations : PaekSang Arts Award for Most Popular Actress in Film
Country : South Korea
Language : Korean
Runtime : 108 min
IMDb Rating : 7/10
Watch Trailer :
Those Korean cinema fans reading the higher than outline, or so look one amongst the trailers for ‘Missing You’, can doubtless feel they’re experiencing déjà vu to a degree and can in all probability have a veritable profusion of Korean films particularization feminine revenge within the wake of male violence and/or life destroying tragedy browsing their minds.
Revenge has long been a serious staple of Korean film narratives, having not solely been perceptibly current for nearly as long as references to violence itself however conjointly through the years having served as each its cause and impact. among the inordinateness of male-centric 'mano a mano' tales of violent retribution - from 'Oldboy' to 'The Chaser' to 'I Saw the Devil', and nearly all points in between - particularization revenge as a payment in a similar way, of sorts, for male brutality, abuse, torture and/or murder of (as typically as not, helpless and for the most part innocent female) characters, there have conjointly in fact been regular examples too of girls exacting female retaliation against specific males, in context, and by extrapolation against the male species as an entire.
However, tho' the perennial look of those stories of feminine retribution over the years while not question speaks of the gradual shift in situ of girls in Korean society and also the slow, typically troublesome move towards balance of the sexes as against ancient social system (and by identical token every slightly totally different case serving to underline the gradual modification in depictions of feminine characters in Korean cinema narratives, within the process), it will hardly be denied that contrary to the bulk of stories of male-oriented retribution feminine characters taking revenge for the most part undertake their vicious quests solely when having lost semblance of explanation (again as typically as not as a results of male actions) permitting them to ignore any question of ethical right to think about no matter action they feel is guaranteed to actual justice for the incorrect they and/or their pet ones suffered.
Of course, this is not continually the case (take 'Sympathy for girl Vengeance' as a different example of a girl WHO clicks instantly back to normality once her retaliation is with success concluded) however thrillers like 'The Housemaid' (1960); 'Diary of June'; 'Princess Aurora'; 'Bedevilled'; 'Azooma' (and the list goes on) or maybe the endless horror stories of vindictive feminine ghosts (too several to mention) stand as tips to the myriad of medium instances during which terrible events feminine characters square measure subjected to cause associate inexplicit however clear mental trauma leading on to their utter rabid obsession with bloody retribution at any and every one price.
‘Missing You’ begins at the conclusion of Ki-bum’s trial, his sentencing watched by his victims’ families, Dae-young and Hee-joo as a young kid. Melancholy music replaces all alternative sounds straight off when the sentence is bimanual down as visuals show the court audience erupting in wailing, screaming disbelief at the brevity of the explicit jail term, the camera then moving to specialise in Hee-joo (and her patent pink shoes) as she ever slowly takes a step backwards, then another and another. To my mind, this points the maximum amount to Hee-joo retreating into herself because it will to her physically desperate to step away, particularly once combined with the very fact that in each scene during which we have a tendency to see her as a toddler when her father’s death she stares without expression ahead expression not a word.
By the time we have a tendency to meet Hee-joo as associate adult operating as a police scout/mascot, she has cultivated 2 personas - showing as a sweet, sunny and happy young lady to those she cares regarding whereas to those she feels do wrong she may be a constant malevolent presence.
However, tho' Hee-joo clearly is broken (Post-It notes with Friedrich Wilhelm Nietzsche quotes cowl her entire living accommodations walls and news clippings with reference to the murders square measure pasted onto the ground like tiling) and whereas she totally admits that Ki-bum created her the means she now could be, she all the same retains an ethical compass firmly basic cognitive process that a number of her vindictive actions and plans should ultimately be chastised even as sure as she intends to penalise Ki-bum, likewise as volitionally resigning herself to the necessity to become a monster to catch a monster.
Of course, these concepts too have appeared in varied Korean films – not least a number of those mentioned higher than – however director Mo Hong-jin will create efforts to do to make sure ‘Missing You’ is over merely a one-trick revenge ‘pony’, if you may, tho' those terribly efforts conjointly raise the question of originality on over one occasion.
‘Missing You’ focuses on 3 main genre ideas: Hee-joo’s revenge story; Ki-bum’s serial murderer tale; and Dae-young’s procedural police drama. Of these, the procedural investigation is far and away the weakest just because the police square measure systematically depicted as inept to nearly the purpose of utter stupidity, and annoyingly thus. I hardly have to be compelled to say that but bright police (again) have featured in varied Korean films over the years however classic examples that really worked did thus as a result of police unskillfulness had a legitimate reason and context connected to that. Here the overwhelming majority of cops square measure simply plain dumb to the extent that I truly began to question however they’d ever caught Ki-bum within the 1st place.
Mo Hong-jin will even have a bent, particularly within the early stages of the film, to push the comedy slightly additional than necessary. Suddenly, mournful music can begin, the camera can specialise in young Hee-joo and that we square measure expected to ad lib act. Don’t get Pine Tree State wrong, the scenes in question square measure fairly moving on their own however it’s blatantly obvious that they're returning and per se their effectiveness is undermined instead of being accentuated. On the and aspect, the horror scenes themselves square measure systematically well represented, brutal however ne'er immoderate, and a lot of typically than not they whole reach being twisted enough to be unforgettable. However, the $64000 strength of ‘Missing You’ lies within the progression of Hee-joo’s story and so its final conclusion. Sure, you’ll doubtless have seen an analogous end result of a personality arc before, however actually as way as I’m involved it still seems as a surprise.
While it might be aforementioned that 'Missing You' speaks, to a degree, of a justice system handing out too lean sentences to criminals and of the fallout that trend causes to victims, no real statement is formed on the problem. As such, 'Missing You' stands as merely a revenge adventure story set over associate extended fundamental measure to this day - no a lot of, no less - instead of being a specific or perceptive critique of aspects of Korean society. That said, as a revenge story 'Missing You' serves its purpose tolerably.
As a final note, ‘Missing You’ is only nation language title chosen for the film, the initial Korean title translating as ‘Waiting for You’. In spite of Hee-joo being shown on a few of occasions fondly cleansing her father’s police commendation award hanging on the wall (and clearly missing him deeply, within the process), considering the general narrative the Korean title to Pine Tree State fits way, far better.
Missing You is the second movie Mo Hong Jin after the film Our Town (2007) still carrying the same i.e. genre Thriller to date is still a genre favorites for South Korea movies, for both Mo Hong Jin Shim Eun Kyung actress working as a main character, hear the name Shim Eun Kyung of course comes dibenak us film Hansel and Gratel Sunny, and the most famous in 2014 of course Miss Granny who deliver Shim Eun Kyung became the winner of the Best Actress Award event in several movies over and over, Miss Granny is arguably the most successful film ever starring Shim Eun Kyung and handed the movie itself made a remake in a variety of versions in some other countries such as China, Japan, Viet Nam, Thailand until now santer discussed Indonesia.
Missing You told of a 7-year-old girl who had to witness his father died as one of the victims of serial killings by cold-blooded psychopath, as children who only have ayahnyalah his father and the only people who care for and love her of course became a great punch create the psychic children, 15 years passed until the killer out of prison the girls her age are now moving on to adult , he lives a kara, survive and grow as a reticent girl, a lot of the things that has him think and plan to take revenge for the death of his father.
The new novel of Shim Eun Kyung and initially I do not imagine she must be acting as a girl psychopath because as long as these characters in his films mostly as a good girl who is pretty and cheerful, I guess pretty successfully despite previous characters still reflected and unforgettable, it appears her business how she must change his character, the film itself tends to be dark and depressive, we'll be treated to some of the scenes of brutal and bersimbahan blood everywhere , tensinya pretty awake unfortunately when seen thorough plot less tidy, found some plot hole though not fatal but too pretty annoying, in a way the story quite like and moral message in ending is also good.
Overall entertaining thriller scenes, its pretty horrified and dull pain, acting Shim Eun Kyung, Yoon Je Moon and Kim Sung Oh as maincast like, minus the plot which is less tidy.
Movie Information :
Genre : Drama, Thriller
Actor : Seong-oh Kim, Eun-kyung Shim, Je-mun Yun
Initial release : March 10, 2016
Director : Mo Hong-jin
Box office : 3.9 million USD
Screenplay : Mo Hong-jin
Nominations : PaekSang Arts Award for Most Popular Actress in Film
Country : South Korea
Language : Korean
Runtime : 108 min
IMDb Rating : 7/10
Watch Trailer :