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Review And Synopsis Movie Wazir A.K.A 64 Squares (2016) Trailer Plot Story And Summary Complete Review And Synopsis Movie Wazir A.K.A 64 Squares (2016) Trailer Plot Story And Summary Complete
Bollywood has begun the year on an exciting note with the primary massive unharness Wazir promising a power-packed ride. With writers Abhijat Joshi and Vidhu Vinod Chopra, and flaunting actors like Amitabh Bachchan, Farhan Akhtar and Manav Kaul, expectations ar high from the adventure story revenge adventure story. will it deliver?The film narrates the story of a cop (Farhan), a disabled man (Amitabh) and therefore the uncommon circumstances that result in a friendly relationship between the 2.Wazir opens on a disengaging note - a slow, romantic song (Tere Bin) plays within the background because the romance of Danish (Farhan) and Ruhana (Aditi) involves the fore. By the time the song ends, a tragic flip of events leaves the couple mourning and depressed. The moving-picture show then traces Pandit Omkarnath Dhar (Amitabh), his entry in Danish’s life and their friendly relationship.
But inside moments of the slow song, a literary script ensures you're on the sting of your seats. From a well shot associated utterly altered shoot-out to the build up to an innocent friendly relationship, the director keeps USA on the tenterhooks because the story unfolds.Not that there aren’t roadblocks choking the journey Wazir desires to require you on.Danish, the protagonist, isn't your regular screenland hero. he's a officer WHO you’d wish to slap for his stupidity: the instant he turns his automotive around for the primary chase of the moving-picture show, his naiveté is annoying and predictably dangerous.
Also, an excellent actor like Manav Kaul is disappointingly underused. Kaul plays a conniving politician however there's very little meat in his character to showcase his acting superior skill.And, the worst of it all comes at the tip, within the dumbing down of all the scheming and devious plans, once the story is moving towards the tip. Revealing the twists is nice for the audience however why do most Hindi thrillers find yourself with one character telling the audience, “You recognize what? You saw A however it had been really B.” A smartly-edited rush of what really happened behind the suspense ought to be convincing enough; there's no would like for a personality locution it tired as several words. Wazir uses chess metaphors to speak regarding life, a move that might are irritating were it not for the delicate means Bejoy inserts these into lighter conversations. as an example once Danish says, “Galat chaal wapas nahi autoimmune disease sakta,” and Panditji retorts, “Yahi to farak hai shatranj aur zindagi mein, yaha dusra mauka milta hai,” a smiling Danish and a few good moves on the chess board make sure the scene isn't over-involved by the heaviness of the dramatic dialogues.
Apart from the good plot, powerful performances ar the backbone of Wazir.While Farhan and Amitabh ar the clear winners, the supporting actors too showcase their skills. Neil Nitin Mukesh is convincing because the character border with neurotic bend. Manav Kaul and John patriarch, too, utterly work into their characters and convey the narration alive.The film’s most attention-grabbing half lies within the undeniable fact that it's a revenge drama however the protagonists don't seem to be angry. They are cold-blooded in their devious coming up with and excellent implementation. during a outstanding deviation from the standard Bollywood vogue, Wazir’s characters don't take into the sadistic pleasure of avenging a wrong however think about the ultimate target.
The cameras that shoot Bejoy Nambiar’s films usually act like teenagers World Health Organization have discovered alcohol for the primary time. They can’t stay still, typically behave out of reason, appear manner too excited, and quite naturally, attempt too arduous to impress.Consider the primary couple of minutes of his latest, Wazir, that opens with a song that shows the film’s leads, Danish Ali (Farhan Akhtar) and Ruhana (Aditi Rao Hydari), falling taken with with one another, obtaining married, and raising a toddler.Opening the film with a song, once one doesn’t apprehend something regarding the most characters and, hence, finds it troublesome to urge instantly drawn towards them, may be a questionable rhetorical selection, however what’s additional difficult , even ludicrous, regarding this phase is this: the complete song is shot in slow-motion. Scenes like raindrops falling on a Delhi street, with Asian country Gate within the background; Danish memorizing his new-born baby during a hospital; Ruhana twirling on stage; rose petals showering the bride and also the groom happen through tedious picture show, for no convincing reason the least bit, showing gimmicky and asinine.
The gap sequence may be a thoughtless stunt, drawing attention to itself within the worst ways in which attainable, however it will prime you for the remainder of the film, one that’s remarkably low on art and high on tactical maneuver.Co-written and –edited by Vidhu Vinod Chopra (also the film’s producer) and Abhijat Joshi (who’s shared writing credits with Rajkumar Hirani on films like Lage Raho Munnabhai, 3 Idiots, and PK), Wazir struggles to create any shred of sense throughout.Why would, as an example, Danish, associate degree anti act of terrorism Squad officer, sitting during a automobile with female offspring, follow a much-wanted terrorist associate degreed his cohorts — an action fraught with dangerous possibilities? Is Danish extremely that reckless? Is he extremely that fixated on his job that creates him forget everything else? we have a tendency to aren’t positive, as a result of the manufacturers didn’t assume it’s necessary enough to outline their lead.
It’s not troublesome to guess what happens next: Danish’s female offspring is shot dead during a violent encounter. This plot purpose — that unfolds through lazy writing, void of logic and customary sense — is that the reason why Wazir’s story exists (as it sets up all the next conflicts within the film), however it’s treated therefore nonchalantly by its writers that you just ponder whether the script even went on the far side the primary draft stage.Also, had this been the sole obvious flaw within the writing, it might have still been acceptable, however the film is patched along by a litany of comparable contrivances and conveniences, that urgently try and hold the film along however fail.
Other bits within the film’s initial parts like Danish losing his job, meeting Pandit Omkarnath Dhar (Amitabh Bachchan enjoying a retired previous man World Health Organization, for a few reason, harbours a gratuitous obsession with enjoying chess), and befriending him lack a convincing reason. however what’s worse? The film’s second crucial plot purpose, wherever Pandit tells Danish that he suspects his female offspring, whose body was found within the house of a Welfare Minister, Izaad Qureshi (Manav Kaul), didn’t kill.Instead, he says, Qureshi dead her. however is Pandit therefore positive of this? “Saboot Qureshi ke aankhon American state hai (the proof lies in Qureshi’s eyes),” he tells Danish. Obviously. Danish — World Health Organization, and this should be perennial once more, may be a cop within the anti act of terrorism Squad — instantly gets convinced (and starts investigation the case), because, apparently, the flexibility to understand ‘aankhon ki sachai’ is a few form of a secret trump during this alternate world wherever solely rules of enjoying chess ar traditional.
Which takes United States of America to a different preoccupation of its characters: enjoying chess. Characters in Wazir play chess all the time. They play chess to urge over the loss of their wanted ones; they play chess to create new friends; they play chess to urge drunk. once the film’s villain, Wazir (Neil Nitin Mukesh), barges into Pandit’s house, he not solely stabs him however additionally sets his checkerboard ablaze. You know, simply traditional folks doing traditional things.The main drawback with Wazir isn't that it’s silly however that it tries too arduous to be profound. Pandit, a serious character within the motion-picture show, oft speaks in chess-riddled metaphors, and nearly each dialogue of his revolves around “baazi (challenge)”, “ghoda (horse)” “haathi (elephant)”, or, of course, “wazir (rook)”.
However, it can’t be denied that there was a promising story buried deep at intervals this mess: 2 men, deeply frightened by the loss of their kids, attempting to search out solace during a friendly relationship wherever one tries to search out closure for the opposite.But Wazir’s therefore unreal, therefore dumbed down (when characters point out one thing that was shown shortly agone, Nambiar cuts to a similar scene once more, typically underlined by a phonation, with great care that we have a tendency to actually get it), therefore certain (for a movie that postures as a heroic tale, its climactic ‘twist’ is kind of bland and not troublesome to guess), that there’s nothing redeemable regarding it.
Movie Information :
Genre : Action, Crime, Drama
Actor : Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari
Initial release : January 14, 2016 (Indonesia)
Director : Bejoy Nambiar
Budget : 350 million INR (US$5.2 million)
Music composed by : Ankit Tiwari, Shantanu Moitra, Prashant Pillai, Rochak Kohli, Advaita, Gaurav Godkhindi, Rohit Kulkarni
IMDb Rating : 7.2/10
Country : India
Language : Hindi
Filming Locations : Mumbai, Maharashtra, India
Production Co : Vinod Chopra Productions
Runtime : 103 min
Watch Trailer :
Bollywood has begun the year on an exciting note with the primary massive unharness Wazir promising a power-packed ride. With writers Abhijat Joshi and Vidhu Vinod Chopra, and flaunting actors like Amitabh Bachchan, Farhan Akhtar and Manav Kaul, expectations ar high from the adventure story revenge adventure story. will it deliver?The film narrates the story of a cop (Farhan), a disabled man (Amitabh) and therefore the uncommon circumstances that result in a friendly relationship between the 2.Wazir opens on a disengaging note - a slow, romantic song (Tere Bin) plays within the background because the romance of Danish (Farhan) and Ruhana (Aditi) involves the fore. By the time the song ends, a tragic flip of events leaves the couple mourning and depressed. The moving-picture show then traces Pandit Omkarnath Dhar (Amitabh), his entry in Danish’s life and their friendly relationship.
But inside moments of the slow song, a literary script ensures you're on the sting of your seats. From a well shot associated utterly altered shoot-out to the build up to an innocent friendly relationship, the director keeps USA on the tenterhooks because the story unfolds.Not that there aren’t roadblocks choking the journey Wazir desires to require you on.Danish, the protagonist, isn't your regular screenland hero. he's a officer WHO you’d wish to slap for his stupidity: the instant he turns his automotive around for the primary chase of the moving-picture show, his naiveté is annoying and predictably dangerous.
Also, an excellent actor like Manav Kaul is disappointingly underused. Kaul plays a conniving politician however there's very little meat in his character to showcase his acting superior skill.And, the worst of it all comes at the tip, within the dumbing down of all the scheming and devious plans, once the story is moving towards the tip. Revealing the twists is nice for the audience however why do most Hindi thrillers find yourself with one character telling the audience, “You recognize what? You saw A however it had been really B.” A smartly-edited rush of what really happened behind the suspense ought to be convincing enough; there's no would like for a personality locution it tired as several words. Wazir uses chess metaphors to speak regarding life, a move that might are irritating were it not for the delicate means Bejoy inserts these into lighter conversations. as an example once Danish says, “Galat chaal wapas nahi autoimmune disease sakta,” and Panditji retorts, “Yahi to farak hai shatranj aur zindagi mein, yaha dusra mauka milta hai,” a smiling Danish and a few good moves on the chess board make sure the scene isn't over-involved by the heaviness of the dramatic dialogues.
Apart from the good plot, powerful performances ar the backbone of Wazir.While Farhan and Amitabh ar the clear winners, the supporting actors too showcase their skills. Neil Nitin Mukesh is convincing because the character border with neurotic bend. Manav Kaul and John patriarch, too, utterly work into their characters and convey the narration alive.The film’s most attention-grabbing half lies within the undeniable fact that it's a revenge drama however the protagonists don't seem to be angry. They are cold-blooded in their devious coming up with and excellent implementation. during a outstanding deviation from the standard Bollywood vogue, Wazir’s characters don't take into the sadistic pleasure of avenging a wrong however think about the ultimate target.
The cameras that shoot Bejoy Nambiar’s films usually act like teenagers World Health Organization have discovered alcohol for the primary time. They can’t stay still, typically behave out of reason, appear manner too excited, and quite naturally, attempt too arduous to impress.Consider the primary couple of minutes of his latest, Wazir, that opens with a song that shows the film’s leads, Danish Ali (Farhan Akhtar) and Ruhana (Aditi Rao Hydari), falling taken with with one another, obtaining married, and raising a toddler.Opening the film with a song, once one doesn’t apprehend something regarding the most characters and, hence, finds it troublesome to urge instantly drawn towards them, may be a questionable rhetorical selection, however what’s additional difficult , even ludicrous, regarding this phase is this: the complete song is shot in slow-motion. Scenes like raindrops falling on a Delhi street, with Asian country Gate within the background; Danish memorizing his new-born baby during a hospital; Ruhana twirling on stage; rose petals showering the bride and also the groom happen through tedious picture show, for no convincing reason the least bit, showing gimmicky and asinine.
The gap sequence may be a thoughtless stunt, drawing attention to itself within the worst ways in which attainable, however it will prime you for the remainder of the film, one that’s remarkably low on art and high on tactical maneuver.Co-written and –edited by Vidhu Vinod Chopra (also the film’s producer) and Abhijat Joshi (who’s shared writing credits with Rajkumar Hirani on films like Lage Raho Munnabhai, 3 Idiots, and PK), Wazir struggles to create any shred of sense throughout.Why would, as an example, Danish, associate degree anti act of terrorism Squad officer, sitting during a automobile with female offspring, follow a much-wanted terrorist associate degreed his cohorts — an action fraught with dangerous possibilities? Is Danish extremely that reckless? Is he extremely that fixated on his job that creates him forget everything else? we have a tendency to aren’t positive, as a result of the manufacturers didn’t assume it’s necessary enough to outline their lead.
It’s not troublesome to guess what happens next: Danish’s female offspring is shot dead during a violent encounter. This plot purpose — that unfolds through lazy writing, void of logic and customary sense — is that the reason why Wazir’s story exists (as it sets up all the next conflicts within the film), however it’s treated therefore nonchalantly by its writers that you just ponder whether the script even went on the far side the primary draft stage.Also, had this been the sole obvious flaw within the writing, it might have still been acceptable, however the film is patched along by a litany of comparable contrivances and conveniences, that urgently try and hold the film along however fail.
Other bits within the film’s initial parts like Danish losing his job, meeting Pandit Omkarnath Dhar (Amitabh Bachchan enjoying a retired previous man World Health Organization, for a few reason, harbours a gratuitous obsession with enjoying chess), and befriending him lack a convincing reason. however what’s worse? The film’s second crucial plot purpose, wherever Pandit tells Danish that he suspects his female offspring, whose body was found within the house of a Welfare Minister, Izaad Qureshi (Manav Kaul), didn’t kill.Instead, he says, Qureshi dead her. however is Pandit therefore positive of this? “Saboot Qureshi ke aankhon American state hai (the proof lies in Qureshi’s eyes),” he tells Danish. Obviously. Danish — World Health Organization, and this should be perennial once more, may be a cop within the anti act of terrorism Squad — instantly gets convinced (and starts investigation the case), because, apparently, the flexibility to understand ‘aankhon ki sachai’ is a few form of a secret trump during this alternate world wherever solely rules of enjoying chess ar traditional.
Which takes United States of America to a different preoccupation of its characters: enjoying chess. Characters in Wazir play chess all the time. They play chess to urge over the loss of their wanted ones; they play chess to create new friends; they play chess to urge drunk. once the film’s villain, Wazir (Neil Nitin Mukesh), barges into Pandit’s house, he not solely stabs him however additionally sets his checkerboard ablaze. You know, simply traditional folks doing traditional things.The main drawback with Wazir isn't that it’s silly however that it tries too arduous to be profound. Pandit, a serious character within the motion-picture show, oft speaks in chess-riddled metaphors, and nearly each dialogue of his revolves around “baazi (challenge)”, “ghoda (horse)” “haathi (elephant)”, or, of course, “wazir (rook)”.
However, it can’t be denied that there was a promising story buried deep at intervals this mess: 2 men, deeply frightened by the loss of their kids, attempting to search out solace during a friendly relationship wherever one tries to search out closure for the opposite.But Wazir’s therefore unreal, therefore dumbed down (when characters point out one thing that was shown shortly agone, Nambiar cuts to a similar scene once more, typically underlined by a phonation, with great care that we have a tendency to actually get it), therefore certain (for a movie that postures as a heroic tale, its climactic ‘twist’ is kind of bland and not troublesome to guess), that there’s nothing redeemable regarding it.
Movie Information :
Genre : Action, Crime, Drama
Actor : Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari
Initial release : January 14, 2016 (Indonesia)
Director : Bejoy Nambiar
Budget : 350 million INR (US$5.2 million)
Music composed by : Ankit Tiwari, Shantanu Moitra, Prashant Pillai, Rochak Kohli, Advaita, Gaurav Godkhindi, Rohit Kulkarni
IMDb Rating : 7.2/10
Country : India
Language : Hindi
Filming Locations : Mumbai, Maharashtra, India
Production Co : Vinod Chopra Productions
Runtime : 103 min
Watch Trailer :