....
...
Review And Synopsis Movie Litchi Hikari Club (2015) Trailer Plot Story And Summary Complete Review And Synopsis Movie Litchi Hikari Club (2015) Trailer Plot Story And Summary Complete
In a close to alikeness of his 1st film, the singularly titled Let’s build the Teacher Have a Miscarriage Club exactly what it sounds like, provocative director Eisuke Naito switches sex and gender for his sophomore effort, Litchi Hikari Club. Stomping over similar ground regarding rebellious youth engulfed by unfocused aggression, Litchi is that the latest manga adaptation to come back down the pipeline,
cementing the form’s position because the Japanese film industry’s version of YA novels. supported Usamaru Furuya’s edible fruit Fight Club, the film is loaded with the type of delicate jabs at correct society and authority and every one manner of over the highest gore that have created the books and their auxiliary product such successful reception. Genre festivals ar a lock for Litchi and broader unharness in Asia appears doubtless. Overseas niche markets that spattered with alternative manga-based films (like the recent Attack on Titan) and distributors that often exchange gonzo Japanese fantasy would act to envision this out on the heels of its premiere at Busan.
Litchi Hikari Clubstarts with a classic genre film moment: a sheik in an exceedingly rubber suit dripping with Bluegrass State Jelly. He’s the notional friend of insular primary school boy Tsunekawa, World Health Organization clearly has associate hyperactive imagination. Years later, Tsunekawa has morphed into Zera (Yuki Furukawa), the ideology school cult leader hell intent on eliminating the “filthy” scourge of Keikoh Town: adults. Youth and sweetness ar the order of the day. this can be Fight Club with far more rules (10 to be exact) and therefore the next nice moment comes in an exceedingly pursuit with nail guns because the weapon of alternative. The club finds a girl on the road to create associate example of, and therefore the gore begins. It ends miserably for everybody.
Unfortunately Naito doesn’t quite maintain that goofy early pace and therefore the film settles into a a lot of customary groove, introducing the remainder of boys: Niko (Ikeda Junya), the blindly devoted true believer and right hand; Jaibo (Mamiya Shotaro), the manipulator; Dentaku (Tozuka Junki), the engineer; pudding (Masaki Reiya), Tamiya (Nomura Shuhei) and Kaneda (Fujiwara Kisetsu), World Health Organization ar friends beginning to question the foundations of Hikari Club. The gang is rounded out with Jacob and Raizo (Okayama Amane and Matsuda Ryo), whose characters ar outlined by being the “other ones.” Hikari plans on usurping the town with associate assist from a automaton they compose, a form of sinister Iron large they dub Litchi. All that’s missing could be a queen to rule with, that they finally get—with Litchi’s help—in Kanon (Nakajo Ayami), whose character is outlined by being the lady. the most thrust of Litchi Hikari Club isn’t the takeover of town, it’s the struggle the boys confront as burgeoning adults—emotionally, intellectually, sexually—they claim to shun. additionally to dissention within the ranks, there may be a Judas dead set usurp Zera.
Though the film is chock packed with nuttiness (lychee fruit eroticism!) it's additionally surprisingly absent of any joy or fun or humor, with the exception of a number of moments as they cult builds its robot; it’s simply not forward enough to raise the violence from the gutter. And tho' Shuhei acquits himself nicely because the growing conscience of the gang World Health Organization inserts his independence, his counterpart in Furukawa depends to heavily on the Boisterous Evil Laugh to convey Zera’s complete of neurotic menace.
The performances ar there in commission of the spectacular splatter, thus what lifts Litchi higher than several films of its form is standout art direction and production style. Tomoya Yamadaand coin Hashimotocreate a vividly besmogged Keikoh city, with its and blood red moon, that exists in nearly perpetual darkness. Submerged in thick air pollution, the steely, industrial skylin is one in all those fictional, indeterminate nevertheless universal art movement Japanese cityscapes that Philip K. Dick would be happy with. Sound mixer and effects director Noriyoshi Yoshida and Hiroki Matsuura, with musician Hisashi Arita, take a page from the Tetsuo: The Iron Man sound manual for a typically discordant sound recording that adds to the atmosphere (though it ne'er reach Tetsuo heights—or depths). Capping to off is Litchi himself (realized by voice actor Tomokazu Sugita), a hulky mass of metal the provides the film its heart.
In a close to alikeness of his 1st film, the singularly titled Let’s build the Teacher Have a Miscarriage Club exactly what it sounds like, provocative director Eisuke Naito switches sex and gender for his sophomore effort, Litchi Hikari Club. Stomping over similar ground regarding rebellious youth engulfed by unfocused aggression, Litchi is that the latest manga adaptation to come back down the pipeline,
cementing the form’s position because the Japanese film industry’s version of YA novels. supported Usamaru Furuya’s edible fruit Fight Club, the film is loaded with the type of delicate jabs at correct society and authority and every one manner of over the highest gore that have created the books and their auxiliary product such successful reception. Genre festivals ar a lock for Litchi and broader unharness in Asia appears doubtless. Overseas niche markets that spattered with alternative manga-based films (like the recent Attack on Titan) and distributors that often exchange gonzo Japanese fantasy would act to envision this out on the heels of its premiere at Busan.
Litchi Hikari Clubstarts with a classic genre film moment: a sheik in an exceedingly rubber suit dripping with Bluegrass State Jelly. He’s the notional friend of insular primary school boy Tsunekawa, World Health Organization clearly has associate hyperactive imagination. Years later, Tsunekawa has morphed into Zera (Yuki Furukawa), the ideology school cult leader hell intent on eliminating the “filthy” scourge of Keikoh Town: adults. Youth and sweetness ar the order of the day. this can be Fight Club with far more rules (10 to be exact) and therefore the next nice moment comes in an exceedingly pursuit with nail guns because the weapon of alternative. The club finds a girl on the road to create associate example of, and therefore the gore begins. It ends miserably for everybody.
Unfortunately Naito doesn’t quite maintain that goofy early pace and therefore the film settles into a a lot of customary groove, introducing the remainder of boys: Niko (Ikeda Junya), the blindly devoted true believer and right hand; Jaibo (Mamiya Shotaro), the manipulator; Dentaku (Tozuka Junki), the engineer; pudding (Masaki Reiya), Tamiya (Nomura Shuhei) and Kaneda (Fujiwara Kisetsu), World Health Organization ar friends beginning to question the foundations of Hikari Club. The gang is rounded out with Jacob and Raizo (Okayama Amane and Matsuda Ryo), whose characters ar outlined by being the “other ones.” Hikari plans on usurping the town with associate assist from a automaton they compose, a form of sinister Iron large they dub Litchi. All that’s missing could be a queen to rule with, that they finally get—with Litchi’s help—in Kanon (Nakajo Ayami), whose character is outlined by being the lady. the most thrust of Litchi Hikari Club isn’t the takeover of town, it’s the struggle the boys confront as burgeoning adults—emotionally, intellectually, sexually—they claim to shun. additionally to dissention within the ranks, there may be a Judas dead set usurp Zera.
Though the film is chock packed with nuttiness (lychee fruit eroticism!) it's additionally surprisingly absent of any joy or fun or humor, with the exception of a number of moments as they cult builds its robot; it’s simply not forward enough to raise the violence from the gutter. And tho' Shuhei acquits himself nicely because the growing conscience of the gang World Health Organization inserts his independence, his counterpart in Furukawa depends to heavily on the Boisterous Evil Laugh to convey Zera’s complete of neurotic menace.
The performances ar there in commission of the spectacular splatter, thus what lifts Litchi higher than several films of its form is standout art direction and production style. Tomoya Yamadaand coin Hashimotocreate a vividly besmogged Keikoh city, with its and blood red moon, that exists in nearly perpetual darkness. Submerged in thick air pollution, the steely, industrial skylin is one in all those fictional, indeterminate nevertheless universal art movement Japanese cityscapes that Philip K. Dick would be happy with. Sound mixer and effects director Noriyoshi Yoshida and Hiroki Matsuura, with musician Hisashi Arita, take a page from the Tetsuo: The Iron Man sound manual for a typically discordant sound recording that adds to the atmosphere (though it ne'er reach Tetsuo heights—or depths). Capping to off is Litchi himself (realized by voice actor Tomokazu Sugita), a hulky mass of metal the provides the film its heart.
Movie Information :
Genre : Comedy
Director : Eisuke Naitô
Actors : Junya Ikeda, Reiya Masaki, Shûhei Nomura, Yûki Furukawa
Country : Japan
Release Date : 13 February 2016 (Japan)
Production Co : Marble Films
IMDb rating : 6.2/10
Watch Trailer :